- Domeniu: Art history
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A relief print produced in a manner similar to woodcut. The lino block consists of a thin layer of linoleum (a canvas backing coated with a preparation of solidified linseed oil) usually mounted on wood. The soft linoleum can be cut away more easily than a wood-block and in any direction (no grain) to produce a raised surface that can be inked and printed. Its slightly textured surface accepts ink evenly. Linoleum was invented in the nineteenth century as a floor covering; it became popular with artists and amateurs for printmaking in the twentieth century.
Industry:Art history
A printing process based on the antipathy of grease and water. The image is applied to a grained surface (traditionally stone but now usually aluminium) using a greasy medium: greasy ink (tusche), crayon, pencils, lacquer, or synthetic materials. Photochemical or transfer processes can be used. A solution of gum arabic and nitric acid is then applied over the surface, producing water-receptive non-printing areas and grease-receptive image areas. The printing surface is kept wet, so that a roller charged with oil-based ink can be rolled over the surface, and ink will only stick to the grease-receptive image area. Paper is then placed against the surface and the plate is run through a press. Lithography was invented in the late eighteenth century, initially using Bavarian limestone as the printing surface. Its invention made it possible to print a much wider range of marks and areas of tone than possible with earlier printmaking techniques. It also made colour printing easier: areas of different colours can be applied to separate stones and overprinted onto the same sheet. Offset lithography involves printing the image onto an intermediate surface before the final sheet. The image is reversed twice, and appears on the final sheet the same way round as on the stone or plate.
Industry:Art history
Term invented by German photographer, art historian and art critic Franz Roh in 1925 in his book Nach Expressionismus: Magischer Realismus (After Expressionism: Magic Realism ). Describes modern realist paintings with fantasy or dream-like subjects. In Central Europe Magic Realism was part of the reaction against modern or avant-garde art, known as the return to order, that took place generally after the First World War. Artists included Giorgio de Chirico, Alberto Savinio and others in Italy and Alexander Kanoldt and Adolf Ziegler in Germany. (See also Neue Sachlichkeit. ) Magic Realism is closely related to oneiric Surrealism and Neo-Romanticism in France. The term is also used of certain American painters in the 1940s and 1950s including Paul Cadmus, Philip Evergood and Ivan Albright. In 1955 the critic Angel Flores used Magic Realism to describe the writing of Jorge Luis Borges and Gabriel García Márquez, and it has since become a significant if disputed literary term.
Industry:Art history
Considered to be the predecessor of Net art, Mail art began in the 1960s when artists sent postcards inscribed with poems or drawings through the post rather than exhibiting or selling them through conventional commercial channels. Its origins can be found in Marcel Duchamp and Kurt Schwitters and the Italian Futurists, although it was the New York artist Ray Johnson who, in the mid 1950s, posted small collages, prints of abstract drawings and poems to art world notables giving rise to what eventually became known as the New York Correspondence School. Mail art can take a variety of forms including postcards, packages, faxes, emails and blogs. In the 1960s the Fluxus artist On Kawara sent telegrams to friends and family that informed them he was alive. In the mid 1990s, the artist and curator Matthew Higgs set up Imprint, which posted art by young British artists, among them Martin Creed, to critics and curators.
Industry:Art history
Mannerism is the name given to the style of followers of Raphael and Michelangelo in Italy from about 1520-1600. It is characterised by artificiality, elegance, sensuous distortion of the human figure and often outright sensuality. (Bronzino Venus Cupid Folly and Time, National Gallery, London. ) Mannerism spread all over Europe, and in Britain the elegant artificiality of Elizabethan court painting can be seen as an echo of it. Later influence on Fuseli.
Industry:Art history
A model for a larger piece of sculpture. Often fascinating works in their own right, conveying the immediacy of the artist's first realisation of an idea.
Industry:Art history
The term appeared in the 1950s and referred to the use of thick impasto into which other materials were often inserted. These included sand, mud, cement and shells. Matter painting was popularised by a group of Dutch and Belgian painters such as Bram Bogart, Jaap Wagemaker, Bert de Leeuw, René Guiette and Marc Mendelson. Its intention was to highlight the nature of painting and its materials. Other artists whose work is often associated with Matter painting are the French painter and sculptor Jean Dubuffet, the Spanish artist Antoni Tàpies and the American painter Julian Schnabel.
Industry:Art history
Kinaesthesia is the sense that detects bodily position, weight or movement of the muscles, tendons and joints of the body. The term has come to be used in relation to art that deals with the body in movement. It was first associated with Futurism, which sought to champion the dynamism of the modern age by depicting people and things in motion. The performances of the American choreographer Merce Cunningham can also be described as kinaesthetic, because his dancers are concerned with the exploration of space through the body's movement. In 1973 Trisha Brown used the Manhattan skyline as a stage for her performance Roof Piece in which dancers transmitted movements to other dancers standing on rooftops across New York.
Industry:Art history
The word kinetic means relating to motion. Kinetic art is art that depends on motion for its effects. Since the early twentieth century artists have been incorporating movement into art. This has been partly to explore the possibilities of movement, partly to introduce the element of time, partly to reflect the importance of the machine and technology in the modern world, partly to explore the nature of vision. Movement has either been produced mechanically by motors or by exploiting the natural movement of air in a space. Works of this latter kind are called mobiles. A pioneer of Kinetic art was Naum Gabo with his motorised Standing Wave of 1919-20. Mobiles were pioneered by Alexander Calder from about 1930. Kinetic art became a major phenomenon of the late 1950s and the 1960s.
Industry:Art history
Kitsch is the German word for trash. Sometime in the 1920s it came into use in English to describe particularly cheap, vulgar and sentimental forms of popular and commercial culture. In 1939, the American art critic Clement Greenberg published a famous essay titled 'Avant-Garde and Kitsch'. In it he defined kitsch and examined its relationship to the high art tradition as continued in the twentieth century by the avant-garde: 'Where there is an avant-garde, generally we also find a rear-guard. True enough—simultaneously with the entrance of the avant-garde, a second new cultural phenomenon appeared in the industrial West: that thing to which the Germans give the wonderful name of Kitsch: popular, commercial art and literature with their chromeotypes, magazine covers, illustrations, ads, slick and pulp fiction, comics, Tin Pan Alley music, tap dancing, Hollywood movies, etc, etc. ' Some more up-to-date examples of kitsch might include plastic or porcelain models of the late Diana, Princess of Wales, Japanese manga comics and the Hello Kitty range of merchandise, many computer games, the whole of Las Vegas and Disneyland, and the high-gloss soft porn of Playboy magazine. Greenberg saw kitsch as the opposite of high art but from about 1950 artists started to take a serious interest in popular culture, resulting in the explosion of Pop art in the 1960s. This engagement with kitsch has continued to surface in movements such as Neo-Geo and in the work of artists such as John Currin or Paul McCarthy.
Industry:Art history
