- Domeniu: Art history
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A system for representing objects in three-dimensional space (i. E. For representing the visible world) on the two-dimensional surface of a picture. Basic, or linear perspective, was invented in Italy in the early fifteenth century and first developed by the painter Paolo Uccello. Perspective rests on the fact that although parallel lines never meet, they appear to do so as they get further away from the viewer towards the horizon, where they disappear. The sides of a road, or later, railway lines, are obvious examples. In painting all parallel lines, such as the roof line and base line of a building, are drawn so as to meet at the horizon if they were extended. This creates the illusion of distance, and the point at which the lines meet is called the vanishing point. Things look smaller the further away they are, and perspective enabled painters accurately and consistently to calculate the size things should be in relation to their supposed distance from the viewpoint. Early perspective systems used a single fixed viewpoint with a single vanishing point. Later, multiple vanishing points were introduced which enabled a much more naturalistic representation of a scene to be made, because it was closer to the way we actually see, that is, from two eyes which are in constant motion. Atmospheric, or aerial perspective, creates the sense of distance in a painting by utilising the fact that the atmosphere appears more blue in the distance.
Industry:Art history
A photograph is an image created by the action of light on a light-sensitive material at some stage during its making. It can be either a positive or negative image and made using one of many processes.
Industry:Art history
A collage constructed from photographs that has often been used as a means of expressing political dissent. First used by the Dadaists in 1915 in their protests against the First World War, it was later adopted by the Surrealists who exploited the possibilities photomontage offered by using free association to bring together widely disparate images, to reflect the workings of the unconscious mind. In 1923 the Russian Constructivist Aleksander Rodchenko began experimenting with photomontage as a way of creating striking socially engaged imagery concerned with the placement and movement of objects in space. Other key exponents of the medium are John Heartfield, the German artist who reconstructed images from the media to protest against Germany's Fascist regime and Peter Kennard, whose photomontages explored issues such as economic inequality, police brutality and the nuclear arms race between the 1970s and the 1990s.
Industry:Art history
A style of painting that emerged in Europe and the USA in the late 1960s, Photorealism was characterised by its painstaking detail and precision. It rejected the painterly qualities by which individual artists could be recognised, and instead strove to create pictures that looked photographic. Visual complexity, heightened clarity and a desire to be emotionally neutral led to banal subject matter that likened the movement to Pop art. Artists associated with Photorealism include the painter Chuck Close and Richard Estes. The early 1990s saw a renewed interest in Photorealism, thanks to new technology in the form of cameras and digital equipment which offered more precision. Younger artists practising this technique today include Raphaella Spence, Clive Head and Bertrand Meniel. (See also Hyper-Realism)
Industry:Art history
Usually refers to a distinct green or brown surface layer on bronze sculpture. Patina can be created naturally by the oxidising effect of the atmosphere or weather, or artificially by the application of chemicals. Almost all bronze sculpture has been patinated one way or the other but Constantin Brancusi polished his bronzes to reveal the beautiful natural gold colour of the metal.
Industry:Art history
Interest in landscape painting and in looking at the landscape itself grew rapidly through the second half of the eighteenth century. Definitions of types of landscape or view, seen from an aesthetic or artistic point of view, followed. At one extreme was the Sublime (awesome sights such as great mountains) at the other the Beautiful, the most peaceful, even pretty sights. In between came the Picturesque, views seen as being artistic but containing elements of wildness or irregularity. Theory of the picturesque developed by writers William Gilpin (Observations on the River Wye 1770) and Uvedale Price, who in 1794 published An Essay on the Picturesque as Compared with the Sublime and Beautiful.
Industry:Art history
Реформация была реформа христианской церкви, инициированных Мартина Лютера в Германии с приблизительно 1520 (когда он был отлучен) и в результате раскола церкви в католических и протестантских сект. В Великобритании Реформации было вызвано Генриха VIII. Протестантизм был категорически против всех религиозных образов и украшение храма, и Генри, и особенно его сына Эдуарда VI, Реформация последовала всеобъемлющей уничтожения, известный как иконоборчества, богатого средневекового искусства и архитектуры Великобритании. С тех пор до середины восемнадцатого века искусства в Британии состояла почти исключительно из чисто светской формы портрета. Там были некоторые исключения (после Реформации).
Industry:Art history
The notoriously pleasure-loving Prince George, the future George IV, became Prince Regent in 1811 and then reigned from 1820 to 1830. The term Regency tends to be applied to the style of furniture and decorative art prevalent during the whole of this period. It is characterised by elements of classicism combined with Egyptian, Chinese and French Rococo influences. In architecture the range of the style is exemplified by Nash in the classicism of his terraced houses in Regents Park, London, and the oriental fantasy of his Brighton Pavilion built for the Prince. The great painter of the Regency (but not of the period overall, when Constable, Blake and Turner were all at their height) was Lawrence, Painter to the King from 1792, knighted 1815, who produced glittering but often technically deficient portraits of the leading figures of the day. More pungent views of the time found in cartoons and caricatures of Gillray, and Rowlandson, who also made erotic drawings for the Prince.
Industry:Art history
French word meaning rebirth, now used in English to describe the great revival of art that took place in Italy from about 1400 under the influence of the rediscovery of classical art and culture. In Italian, Rinascimento. Renaissance reached its peak (High Renaissance) in short period from about 1500-1530 in the work of Michelangelo, Leonardo and Raphael. The work of Raphael may be seen as representing the purest form of the Renaissance style and he was held up as prime model in the art academies until mid nineteenth century when revolt began with e. G. Pre-Raphaelites, Realism, Naturalism, Impressionism. Up to then the Renaissance style underwent myriad successive transformations as in Mannerism, Baroque, Rococo, Neo-Classicism, Romantic movement.
Industry:Art history
A copy of a work of art that is virtually indistinguishable from the original. Unlike a fake, a replica is not trying to pass for the original and is often made by the artist and used for historical and educational purposes. The vogue for collecting replicas reached the height of popularity in the mid to late nineteenth century when few people could afford to travel on the Continent, so museums acquired reproductions of important monuments and works of art to complement their collections. Replicas in modern art are made as a result of original works of art decaying or being lost. Marcel Duchamp's Fountain, the most famous of the artist's readymade sculptures, was replicated in collaboration with Duchamp from a photograph of the lost original. Tate holds the largest collection of plastic sculptures by Naum Gabo, but despite controlled storage conditions, many of these works are cracking and warping. Computer software will be used to help virtually restore the sculpture models, so that replicas can be made of the originals.
Industry:Art history
