Company: Others
Created by: federica.masante
Number of Blossarys: 31
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- Spanish, Latin American (XL)
- Macedonian (MK)
- Indonesian (ID)
- Hindi (HI)
- Italian (IT)
- Serbian (SR)
- Spanish (ES)
- Czech (CS)
- Hungarian (HU)
- Arabic (AR)
- French (FR)
- Turkish (TR)
- Greek (EL)
- Dutch (NL)
- Bulgarian (BG)
- Estonian (ET)
- Korean (KO)
- Swedish (SV)
- English, UK (UE)
- Chinese, Hong Kong (ZH)
- Slovak (SK)
- Lithuanian (LT)
- Norwegian Bokmål (NO)
- Thai (TH)
- Portuguese, Brazilian (PB)
- Danish (DA)
- Polish (PL)
- Japanese (JA)
- Chinese, Simplified (ZS)
- Chinese, Traditional (ZT)
In Jakobson's model of linguistic communication this is deemed to be one of the key functions of a sign. This function involves the (usually implicit) construction of an addressee (ideal reader).
Cinematic and televisual codes include: genre; camerawork (shot size, focus, lens movement, camera movement, angle, lens choice, composition); editing (cuts and fades, cutting rate and rhythm); ...
At the (higher) structural level of first articulation a semiotic system consists of the smallest meaningful units available (e.g. morphemes or words in a language).
Within his triadic model of the sign, Peirce referred to the sign as an instance of 'Firstness', its object as an instance of 'Secondness' and the interpretant as an instance of 'Thirdness'
A distinction sometimes equated to Saussure's distinction between the signifier (seen as form) and the signified (seen as content). However, the metaphor of form as a 'container' is problematic, ...
Hjelmslev introduced the notion that both expression and content have substance and form. In this framework signs have four dimensions: substance of content; form of content; substance of expression; ...
Russian formalism was a structuralist, anti-realist aesthetic doctrine whose proponents included Victor Shklovsky (see Denaturalization). The Prague school linguists were also structural formalists. ...